Resymé and research problem

Resymé:

I want to write about musical sound and its connection to movement,
energy and aggresion in a concert situation. I want to find out if
there's a connection, and, if necessary, make that connection, or make
it better, through a practical project where I'll use
non-sound-producing movements from the musicians to modify the sound.
In the theoretical part, I want to look at the movemets from both the
musicians and the audience, and find connections from the musicians'
movemets directly to, or via the sound and further on to, the movement
in the audience. But also the connection from the sound and the
movement in the audience back to the musicians, and how this affects
their movement onstage and feelings of what the show does to them and
their temper. And there lies the goal for the practical part: To
better the process of catharsis in live performance.

Research problem (maybe this will be changed later):

How is the relationship between the physical energy the musicians
place into their performance and the energy that hits the audience,
how does this affect the temper in the persons involved in the music
and how can we use non-sound-producing movements from the musicians to
logically influence this?